I was expecting a lot of things from Avatar: Fire and Ash—the fully immersive 3D world; the bridging of the Uncanny Valley
e bloat and the woo-woo mysticism that infects all of the films in James Cameron’s series about the world of the lithe, blue-skinned aliens—but I wasn’t expecting the movie to
at times, so clearly resemble Mel Gibson’s 2006 classic action-chase flick, Apocalypto.